As Betty quickly matured she became a hot property for Fleischer Studios, and in those pre-code days, a "hot" property on the screen with her short dresses, high heels, and garter belt. Betty is known as the first and most famous sex symbol on the animated screen, long before Jessica Rabbit, whose costume comes directly from Betty's wardrobe. However, by late 1933 the content of her films was affected by the National Legion of Decency and the Production Code, and cute replaced sexy for the balance of her films.
Betty Boop as Snow White (1933). The most surreal cartoon you are likely to see.
The Inspirations
As to Natwick's inpirations, we all know about Clara Bow and what a major presence and influence she was on the flapper look of the twenties, but who was Helen Kane? Born as Helen Schroeder, she attended St. Anselm’s Parochial School in the Bronx. By the time she was 15, Helen, who had only appeared in school productions, was onstage professionally, touring the Orpheum Circuit with the Marx Brothers. Her first performance at the Paramount Theater in Times Square proved to be her career's launching point. She was singing "That's My Weakness Now", when she interpolated the scat lyrics “boop-boop-a-doop.” I guess that really grabbed Grim.
Helen sings Dangerous Nan McGrew (1930)
The Voices
Ann Rothschild broke into show business in the 1925 "Greenwich Village Follies" and was named "Little Ann Little" because she was only 4'10" tall and weighed 76 pounds. After "Dizzy Dishes" premiered, Paramount, who distributed Fleischer productions, held an audition for a girl to do the voice for the new character. Ann was chosen from among many other girls and provided the voice for a few cartoons before going on the road with a Betty Boop vaudeville act. The act consisted, in part, of a drawing demonstration by Pauline Comanor, a "movie cartoonist" who drew Ann as Betty and handed out the drawings to lucky audience members.
Mae Questel's parents encouraged her to study dramatics and singing. Although she had offers to appear in stage productions, her protective parents felt she was too young at the time. She was still a teenager when she won a Helen Kane look alike contest and in 1931 Max Fleischer caught her act and asked her to do the voice for Betty Boop. Mae was Betty from the time she came to the studio until the series ended in 1939. She was also the voice of Olive Oyl for over 20 years, and used Zasu Pitts as her vocal inspiration.
Some of the images in this post come from the out-of-print, but wonderful book, The Fleischer Story (1976), by Leslie Cabarga.







